Now in paperback, this groundbreaking study by Harvard neurobiologist Margaret Livingstone explores the inner workings of vision, demonstrating that how we see art depends ultimately on the cells in our eyes and our brains. In Vision and Art, Livingstone explains how great painters fool the brain: why Mona Lisa’s smile seems so mysterious, Monet’s Poppy Field appears to sway in the breeze, Mondrian’s Broadway Boogie Woogie blinks like the lights of Times Square, and Warhol’s Electric Chair pulses with current.
Drawing on history and her own cutting-edge discoveries, Livingstone offers intriguing insights --from explanations of common optical illusions, to speculations on the correlation of learning disabilities with artistic skill. By skillfully bridging the space between science and art, Vision and Art will both arm artists and designers with new techniques that they can use in their own craft, and thrill any reader with an interest in the biology of human vision. Margaret Livingstone is professor of neurobiology at Harvard Medical School. She studies vision with a focus on how the eye and brain use color and luminance information, dyslexia and visual processing. · Paperback, 208 pages, published April 1, 2008 by Harry N. Abrams
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